FAQ

1. What type of stone do you work with?

I work primarily with soapstone, alabaster, and black chlorite. Each stone has its own unique qualities — soapstone for its softness and warmth, alabaster for its luminous depth, and black chlorite for its bold, rich tone. The finishing process is key to bringing out the true character and colour of each stone — something many sculptors overlook. Finishing can be an art in itself, and when done properly, it allows the natural hues and depth within the stone to bloom beautifully, especially in soapstones and black chlorite, as well as alabaster.

2. Are your sculptures carved by hand or with power tools?

Every sculpture begins by hand — shaping, studying the stone, and understanding its grain. I also use modern pneumatic and diamond tools to refine details and achieve a professional finish. The balance of hand and modern techniques allows each piece to retain the spirit of craftsmanship while meeting contemporary standards of precision.

3. How should I care for a stone sculpture?

Stone sculptures require very little maintenance. A simple dusting with a soft cloth keeps them clean. Avoid using harsh cleaners or abrasives, as these can dull the surface. Darker stones should not be left in a window with direct sunlight, as excessive heat can cause the finish to lift or fade over time. If displayed outdoors, stone naturally develops a subtle patina, adding character without compromising its integrity.

4. Where can I see your work in person?

My sculptures are showcased at La Belle Galerie in Old Quebec City and Upper Canada Native Art Gallery in Niagara-on-the-Lake. You can also explore available works and new releases directly through my website or social media, where I share insights into the carving process and upcoming exhibitions.

5. What inspires your carvings?

Much of my inspiration comes from nature and the quiet strength found in animals and symbolic forms. Each piece begins with an emotional or spiritual idea — something timeless that connects people to the natural world. I often let the stone guide the direction of the sculpture, revealing its own story as the carving unfolds.